A hovering perspective, hypnotic in its descent. Union Square bustles. Through the first transition programmable servo lens engineered for this very shot, we hone in on a thousand little theaters settling on a disquieting mime. Long-reaching shadows breed paranoia as the wondrous sound design is at once jazzy and dissonant, much like Harry Caul himself.
Audio commentary excerpt with Editor and Sound Mixer Walter Murch:
Title Design: Francis Ford Coppola, Wayne Fitzgerald
Sound Design: Walter Murch
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