Art of the Title

  • Title Sequences
  • Designers + Studios

Frankenstein (1931)

Frankenstein
It's alive, it's moving, it's alive, it's alive, it's alive, it's alive, IT'S ALIVE!
—Henry Frankenstein
  • Share
  • Tweet
  • Post
  • More

The 1931 screen adaptation of Frankenstein begins on a formal note, with character actor Edward Van Sloan emerging from behind a curtain to deliver a brief caution on behalf of the film's producer before the opening credits:

How do you do? Mr. Carl Laemmle feels it would be a little unkind to present this picture without just a friendly word of warning: We are about to unfold the story of Frankenstein, a man of science who sought to create a man after his own image without reckoning upon God. It is one of the strangest tales ever told. It deals with the two great mysteries of creation: life and death. I think it will thrill you. It may shock you. It might even horrify you. So, if any of you feel that you do not care to subject your nerves to such a strain, now's your chance to uh, well, — we warned you!

Using the carnival sideshow technique of enticing audiences by warning them of the dangers, James Whale's Frankenstein begins in a theatrical and rather endearing way. Only after the creators are absolved of any potential unpleasantness may we continue to the title sequence, complete with elaborate eye-filled background, and the film proper. The only music that appears in the film appears here, in the opening credits, and in the closing credits.

IMAGE: Bela Lugosi Frankenstein poster

The movie that never was: Bela Lugosi as Frankenstein

This was not the first film adaptation of Mary Shelley's 1818 Gothic novel Frankenstein: or, The Modern Prometheus though it's likely the one that most would recall. 

Previous films based on Shelley's story were Frankenstein, produced by the Edison Manufacturing Company in 1910 and the lost film Life Without Soul, produced by Ocean Film Corp. in 1915. An Italian version called Il Mostro di Frankenstein directed by Eugenio Testa was released in 1920, though it now also appears to be lost. After James Whale's Frankenstein, of course, came numerous film incarnations of the monster.

Mary Shelley's name is given in the screen credits as Mrs. Percy B. Shelley. This type of listing may have contributed to many people in her own time improperly attributing the novel to her husband, Percy B. Shelley. 

As well, the opening screen credits list "The Monster" as played by a question mark. Originally, Bela Lugosi was chosen to play Dr. Frankenstein, but after proving unsuitable for the role, he was "downgraded" to playing the Monster in order to keep his well-known name attached to the project and promotional materials. However, the Monster's character was initially simply a killer with no human qualities. Lugosi reportedly complained, "I was a star in my country and I will not be a scarecrow over here!" and left the project when James Whale stepped in to replace director Robert Florey.

In the end credits, it is revealed that Boris Karloff played the central role. 

View 2 images

Frankenstein end title cards, with a playful “A good cast is worth repeating” heading.

Frankenstein has been hailed as one of the best films of 1931 as well as one of the greatest movies of all time. It holds a 100% "Fresh" rating on review aggregate website Rotten Tomatoes and, in 1991, it was selected for preservation in the United States National Film Registry. 

Frankenstein (1931) end card and credits

  • Credits

Title Designer: uncredited

Music: Bernhard Kaun (uncredited)

Related

  • They Came From Within: B-Movie Title Design of the 1940s & 1950s

    They Came From Within: B-Movie Title Design of the 1940s & 1950s

    feature

  • Bud Abbott and Lou Costello Meet Frankenstein

    Bud Abbott and Lou Costello Meet Frankenstein

    summary

  • Ernest Scared Stupid

    Ernest Scared Stupid

    interview

  • Mystery Science Theater 3000

    Mystery Science Theater 3000

    summary

  • King Kong

    King Kong

    title only

  • Belted, Booted and Buckled: B-Movie Title Design of the 1960s

    Belted, Booted and Buckled: B-Movie Title Design of the 1960s

    feature

Title sequence

  • Category

    Film
  • Styles

    1930s, black and white, mixed-media, optical, typographic
Frankenstein
  • Film Director

    James Whale
  • Release Date

    November 21, 1931
  • Aspect Ratio

    1.37:1
  • Studio

    Universal Pictures
  • Country

    USA
  • Language

    English
  • Reviews

    Reviews on Letterboxd
  • IMDb has full details

Article

  • Writer

    Lola Landekic
  • Published

    October 27, 2014

Subscribe to Art of the Title

  • Twitter
  • Facebook
  • Instagram
  • RSS
  • About
  • News
  • Titles
  • Features
  • Designers
  • Studios
  • Sponsorship

Art of the Title is made with ❤ in Toronto and is supported by readers like you.

© 2007–2025 Art of the Title, LLC. All rights reserved.
Works appearing on Art of the Title are the property of their respective owners.

  • Gold Sponsor

    NOW OPEN! LET’S TALK

  • Silver Sponsor

    NOW OPEN! LET’S TALK