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    We dive into the latest from title designer and Emmy nominee Saskia Marka for sultry thriller Liaison

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Studios

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• Full interview available, click to view.

Bunny Lake is Missing (1965)

Bunny Lake is Missing
This doll had almost been loved to death. You know, love inflicts the most terrible injuries on my small patients.
—the Doll Maker
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Creative Director Steve Fuller (Mad Men, The Pacific) discusses the opening titles for Bunny Lake is Missing.

Saul Bass's work always looks effortless and timeless. That's what makes his work so appealing – it can be enjoyed on a basic level. Like a child seeing simple shapes and colors for the first time – a white line on black paper. Maybe there's something soothing about that simplicity next to the visual chaos of the world.

One of the best examples of a simple yet smart Saul Bass idea is the main title sequence for Bunny Lake is Missing. The film is about an emotionally disturbed person involved in the disappearance of a child. To hint at the character's state of mind, a hand tears shapes out of a black screen, each hole revealing another credit. The torn edges are jagged and help to set the mood of the film. It ends with the shape of a girl being torn out of the paper, as if she's missing from the sheet of paper (which is then used again in the poster). It seems like such a simple idea but getting there is difficult. It takes years of experience to have the ability to boil ideas down to this kind of purity and Bass didn't muck it up with anything he didn't need: no color, no jumpy edits, no tricks. Just the raw, naked concept standing on its own. You can see this same approach time and time again in his work: great ideas condensed down to their purest form, then simply executed.

It proves that basic shapes, colors, and compositions in the hands of an experienced artist can become something magical. You could compare him to Matisse, who spent his entire career as an artist refining his style over 50 working years and ended up cutting simple shapes out of painted paper in his later years. He made some of his best work at the very end of his life. But all those years of experience were necessary for him to cut those shapes just right. Saul Bass was at that same level in the design world. Look at the title sequence to Psycho. Matisse would have loved it – Bass did it all with just rectangles.

  • Credits

Title Designer: Saul Bass

Discover more Saul Bass

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Related

  • The Title Design of Saul and Elaine Bass

    The Title Design of Saul and Elaine Bass

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  • Psycho

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    Vertigo

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  • Ocean’s Eleven

    Ocean’s Eleven

    summary

  • It’s a Mad Mad Mad Mad World

    It’s a Mad Mad Mad Mad World

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  • The War of the Roses

    The War of the Roses

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Title sequence

  • Title Designer

    Saul Bass
  • Category

    Film
  • Styles

    1960s, 2D, graphic, live action, main title, mixed-media, situational type, typographic
Bunny Lake is Missing
  • Film Director

    Otto Preminger
  • Release Date

    October 3, 1965
  • Aspect Ratio

    2.35:1
  • Studio

    Columbia Pictures
  • Country

    UK
  • Language

    English
  • Reviews

    Reviews on Letterboxd
  • IMDb has full details

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